Univers Next Arabic Bold • Plus

Nadine Chahine

Univers Next Arabic Bold (specifically weight 630) is a refined, utilitarian typeface that successfully translates the rationalist Swiss aesthetic of Adrian Frutiger’s original Univers into the Arabic script. Co-designed by and Adrian Frutiger , it is part of the broader Univers Next family published by Linotype . 📝 Design Overview Style: Kufi-inspired Grotesk.

As of 2025, Monotype has begun releasing variable versions of the Univers Next family. While "Univers Next Arabic Bold" is currently a static file, the variable version will soon allow you to slide seamlessly from Thin to Black. This is a game-changer for responsive web design, where the font weight can adjust automatically based on screen size. univers next arabic bold

Large Open Counters:

The internal spaces within letters are generous, maintaining clarity even in its heaviest "Bold" state. Nadine Chahine Univers Next Arabic Bold (specifically weight

Unlike previous typefaces that relied on subjective names (Light, Medium, Bold), Univers used a two-number code system (e.g., 55 for Roman, 75 for Bold). This mathematical approach appealed to modernists. As of 2025, Monotype has begun releasing variable

Nadine Chahine

Univers Next Arabic Bold (specifically weight 630) is a refined, utilitarian typeface that successfully translates the rationalist Swiss aesthetic of Adrian Frutiger’s original Univers into the Arabic script. Co-designed by and Adrian Frutiger , it is part of the broader Univers Next family published by Linotype . 📝 Design Overview Style: Kufi-inspired Grotesk.

As of 2025, Monotype has begun releasing variable versions of the Univers Next family. While "Univers Next Arabic Bold" is currently a static file, the variable version will soon allow you to slide seamlessly from Thin to Black. This is a game-changer for responsive web design, where the font weight can adjust automatically based on screen size.

Large Open Counters:

The internal spaces within letters are generous, maintaining clarity even in its heaviest "Bold" state.

Unlike previous typefaces that relied on subjective names (Light, Medium, Bold), Univers used a two-number code system (e.g., 55 for Roman, 75 for Bold). This mathematical approach appealed to modernists.