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The Upper-Caste Gaze: The 1970s and 80s were dominated by films centered on upper-caste (Nair, Namboothiri, Syrian Christian) anxieties. Kodiyettam (1977) focused on a simpleton Nair, while rarely centering Dalit protagonists.
The Dalit Counter-Narrative: The late 1990s and 2000s saw a shift. Films like Perumazhakkalam (2004) and Paleri Manikyam: Oru Pathirakolapathakathinte Katha (2009) directly confronted caste violence. The 2020s have witnessed films like Nayattu (The Hunt, 2021), which exposes how caste and political power operate within the police system to scapegoat marginalized individuals.
The Syrian Christian Milieu: The opulent world of Kerala’s Syrian Christians (with their distinct cuisine of meen curry and appam, and large family estates) became a sub-genre itself, from Agnisakshi (1999) to Amen (2013), exploring faith, capitalism, and patriarchy.