Le Bouche-trou -1976- 〈Popular – 2025〉

Jean-Claude Roy

Le Bouche-trou (1976) is a French adult comedy-drama directed by , a prolific filmmaker known for his contributions to the "golden age" of French erotic cinema. The film serves as a snapshot of the permissive cinematic culture in France during the mid-1970s, shortly after the legalisation of hardcore pornography in the country. Plot Overview

Availability

The film's availability on modern platforms may be limited, but it remains a piece of cinematic history that reflects the creative and sometimes irreverent approach of 1970s filmmakers to storytelling and social issues. Le Bouche-trou -1976-

• Bishop, Claire. Radical Museology. Afterall, 2013. (On accumulation and the everyday)
• Irigaray, Luce. This Sex Which Is Not One. Cornell University Press, 1985.
• Messager, Annette. Annette Messager: Word/Image. Museum of Modern Art, 1995.
• Rorimer, Anne. New Art in the 60s and 70s: Redefining Reality. Thames & Hudson, 2001.
• Vergne, Jean-Charles. Annette Messager: The Messengers. Centre Pompidou, 2007.

In the mid-1970s, the French art scene was dominated by Supports/Surfaces (Daniel Buren, Claude Viallat), which used deconstructed canvas and stretchers to interrogate painting’s materiality. That movement, despite its radicalism, remained largely male and abstract. Messager’s Le Bouche-trou offers a feminine anti-form: instead of large, heroic deconstructions, she offers small, obsessive accumulations. Where Buren exposed the institution’s holes, Messager tries to fill the domestic and psychological ones—knowing she will fail. Jean-Claude Roy Le Bouche-trou (1976) is a French

Quick Fact:

💡 1976 was the same year the Cannes Film Festival faced significant debates over the inclusion of explicit content, highlighting the exact tension "Le Bouche-trou" inhabited. Bishop, Claire

Due to varying distribution and reissue strategies, the film has been known under several titles in different markets: French stars - IMDb

4. Why It’s Notable